2018 . Digital, color, surround sound, 16:9, 35 min 53 sec, Farsi, Japanese, English







Exhibitions
Bergen Assembly: Yasmine and the Seven Faces of the Heptahedron, Bryggens Museum (Bergen 2022)
Experiences of Oil, Stavanger Kunstmuseum (2021)
Oil. Beauty and Horror in the Petrol Age, Kunstmuseum Wolfsburg (2021)
Itinerarios XXV, Centro Botín (Santander 2019)
When Legacies Become Debt, The Mosaic Rooms (London 2019)
Borrowed Scenery, Haus for Media Art (Oldenburg 2018, solo)
Screenings
Others Film Club #1: Shirin Sabahi, in conversation w/ Takhito Kumazawa Soto (Kyoto 2023)
3 x Berlin, Goethe-Institut Villa Kamokawa (Kyoto 2023)
Big Picture: The Double Life of Artifacts, in conversation w/ Yasmin Afschar, Asia Society (Zurich 2023)
Posenenske, Sabahi, Alÿs, Chang, Rainer, CCA (Berlin/online 2022), curated by Edwin Nasr
Kaunas International Film Festival (2020)
Ashkal Alwan’s streaming platform aashra, curated by Christine Tohme (Beirut 2020)
Book Launch: Pocket Folklore, in conversation w/Antonia Alampi and Edit Molnár, Savvy Contemporary (Berlin 2020)
Beirut Art Film Festival (2020)
European Media Art Festival (EMAF) (Osnabrück 2019)
Festival International du Film sur l’Art (ArtFIFA) (Montréal 2019)
Difficult to See, CONA Foundation (Mumbai 2018), curated by Aveek Sen and Vijai Maia Patchineelam
Struts & Faucet Gallery (Sackville CA 2018)
Credits
Featuring
Noriyuki Haraguchi, Farzin Bonakdar, and the staff of the Tehran Museum of Contemporary Art
Director of photography
Faraz Fesharaki
Sound recordist
Ali Nemati
Production manager
Nazanin Oghanian
Sound mix
Jochen Jessuzek
Translation
Maiko Itagaki
Typography
Oliver Spieker
Filmed on location at Tehran Museum of Contemporary Art 2017
Supported by
Haus for Media Art, Fundacion Botin, Iran Experimental and Documentary Film Center, Stiftung Niedersachsen, Tehran Museum of Contemporary Art
Installation view Haus for Media Art (Oldenburg 2018). Photo: Carina Blum
2018 . Digital, color, surround sound, 16:9, 35 min 53 sec, Farsi, Japanese, English







Credits
Featuring
Noriyuki Haraguchi, Farzin Bonakdar, and the staff of the Tehran Museum of Contemporary Art
Director of photography
Faraz Fesharaki
Sound recordist
Ali Nemati
Production manager
Nazanin Oghanian
Sound mix
Jochen Jessuzek
Translation
Maiko Itagaki
Typography
Oliver Spieker
Filmed on location at Tehran Museum of Contemporary Art 2017
Supported by
Haus for Media Art, Fundacion Botin, Iran Experimental and Documentary Film Center, Stiftung Niedersachsen, Tehran Museum of Contemporary Art
Installation view Haus for Media Art (Oldenburg 2018). Photo: Carina Blum
Exhibitions
Bergen Assembly: Yasmine and the Seven Faces of the Heptahedron, Bryggens Museum (Bergen 2022)
Experiences of Oil, Stavanger Kunstmuseum (2021)
Oil. Beauty and Horror in the Petrol Age, Kunstmuseum Wolfsburg (2021)
Itinerarios XXV, Centro Botín (Santander 2019)
When Legacies Become Debt, The Mosaic Rooms (London 2019)
Borrowed Scenery, Haus for Media Art (Oldenburg 2018, solo)
Screenings
Others Film Club #1: Shirin Sabahi, in conversation w/ Takhito Kumazawa Soto (Kyoto 2023)
3 x Berlin, Goethe-Institut Villa Kamokawa (Kyoto 2023)
Big Picture: The Double Life of Artifacts, in conversation w/ Yasmin Afschar, Asia Society (Zurich 2023)
Posenenske, Sabahi, Alÿs, Chang, Rainer, CCA (Berlin/online 2022), curated by Edwin Nasr
Kaunas International Film Festival (2020)
Ashkal Alwan’s streaming platform aashra, curated by Christine Tohme (Beirut 2020)
Book Launch: Pocket Folklore, in conversation w/Antonia Alampi and Edit Molnár, Savvy Contemporary (Berlin 2020)
Beirut Art Film Festival (2020)
European Media Art Festival (EMAF) (Osnabrück 2019)
Festival International du Film sur l’Art (ArtFIFA) (Montréal 2019)
Difficult to See, CONA Foundation (Mumbai 2018), curated by Aveek Sen and Vijai Maia Patchineelam
Struts & Faucet Gallery (Sackville CA 2018)